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Nov 24th 09 Posted by justin in CCR601

CCR601 – FP – 3rd Gen – Kirsch and Mortensen

Kirsch, Gesa E., and Peter Mortensen. “Toward an Ethics of Research.” Ethical Dilemmas in Feminist Research: The Politics of Location, Interpretation, and Publication. Ed. Gesa E. Kirsch. Albany: State U of New York P, 1999. 87-103.

  • The authors aim is to “map out significant problems and opportunities that await researchers who want their inquiries to be a resource for individual and group expressions of self-determination” (87).
  • The authors claim there are a couple of benefits to feminist research.  1) critical reflection tends to refine the translation of theory into practice, 2) reflection also makes the research process more accountable by exposing it to colleagues, and participants; 3) the conclusion that making knowledge in research is not epistemologically different from its construction in other parts of our lives is also key.
  • The authors discuss ethics in terms of 1) collaborative work with others, 2) work within institutions, 3) work within the profession, 4) work that entails multiple roles (researcher, teacher, learner), and 5) work toward sharing what we know with our various publics (89).
  • Collaboration – The inclusion of all stakeholders – teachers, parents, admins, community members, etc., – in the case of an education study – must be identified and included in all stages of inquiry.
  • Institutions – This is where feminist research ethics intersects with the institution via places/forums like the IRBs and federal legislation on human subject research.
  • Paul Anderson – you’ve already read for this assignment – is identified for bringing IRBs into the composition discussion.
  • Privacy is considered in the context of consent in this section.  The conversation on consent and privacy should answer some fundamental questions: 1) consent should be renegotiated if a research project changes dramatically, 2) consent should be recognized if participants or researchers feel uncomfortable with relations or arrangements as they evolve, 3) the task of securing participants’ informed consent, should be handled by a third party, 4) the status of participants’ consent, should not be disclosed to teacher-researchers as long as students are no longer subject to teacher evaluation, and 5) information collected from consenting participants should be scrutinized for its potential to humiliate, embarrass or otherwise harm participants if published (92).
  • Alcoff is a big source here.
  • The national organizations (CCCC, NTCE) need to also articulate a ethical research framework.
  • The authors hope that folks can respect one another’s ideological and methodological differences within the discipline cordially.
  • For the authors, critical reflection is central to the researcher/teacher position.  In fact, “critical reflection monitors research and teaching and learning as they evolve, opening new paths of inquiry as needed” 9607).  Reciprocity is also key for the researcher/teacher – student relationship.  Both have a lot to learn from one another.
  • The authors are really adamant that “qualitative research on literacy provide ample reflection on all significant ethical dilemmas encountered in the field and at the desk” (99).  These reflections should be a central feature of the text.
Sep 21st 09 Posted by justin in CCR601

CCR601 – Making Room, Writing Space

Brooke, Collin. “Making Room, Writing Hypertext.” JAC 19.2 (1999): 253-268.

Executive Summary:

In this piece, Brooke works to reclaim arrangement from hypertext theorists that have elided the term in due to the “non-linearity” of hypertextual production.  In this reclamation, Brooke employs both a time-element and a space-element to better understand the way hypertext can be arranged.   The time-element is a hold-over from written discourse.  The space-element is embodied in spoken discourse.  Brooke indicts Bolter’s and Joyce’s collapse of arrangement into delivery by illustrating the disorientation problem – i.e., readers have expectations of texts, in hypertextual composition those needs aren’t met.  This inadequacy is the result, according to Bolter and Joyce, of a user-defined delivery (one of the core realities of hypertext).  To address this problem, Brooke describes how usual conceptions of text rely on Bowden’s “containerism.”  This problem, one which Derrida isolates as “the repression of pluri-demensional symbolic thought” can best be revisioned through Lefebvre’s explication of space as 1) conceived, 2) perceived, and 3) lived.  In this model, perceived space, or spatial practice, is employed to negotiate the “containers that print has encouraged and the paralyzing freedom of an infinitely open space” (263).  This is a sort of middling, whereby the reader isn’t left to be inside the container, but can make meaning because the endless free play of signifiers is also not endless.  To understand this new perceived social practice, Brooke recommends the adoption of the “pattern.”  In so doing, the wreader is able to shift their focus from linear progression and pacing to pattern perception across structural components.

Key Influences:

Lefebvre – The Production of Space

Johnson-Eilola – Nostalgic Angels:  Rearticulating Hypertext Writing

Quintilian – The Insitutio Oratoria of Quintilian

Tolva – Ut Pictura Hyperpoesis:  Spatial Form, Visuality, and the Digital Word

Writing Against:

Bolter – Writing Space

Joyce – Of Two Minds:  Hypertext Pedagogy and Poetics

Major Concepts/Questions

1.  How do we conceive of arrangement in hypertextual creations?

2.  The flipping of organization and formulae on the bottom of 261 seems weak to me.  Brooke notes, “Formulae do not help students learn how to organize; rather, they serve as a substitutes for the very act of organization.”  Isn’t this invention work?  Are we talking of reinventing the container on every project?  Revisit.

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